OK, it’s almost never a good idea to punch a wall.
There. I’ve said it. Having once been an adolescent male, though, I will admit to having done so a few times. Seriously stupid; especially when dealing with old-fashioned plaster and lathe or brick. All you are asking for is pain and a serious injury.
So why am I talking about this.
Alright, today we’re going to have a “writer’s journey” discussion. As you all may be aware, I have started in on another trilogy, and the premise is solid. Enjoyable. Somewhat novel. I am deeply into the first book in the planned trilogy, I’m hanging out at Chapter Twenty-Seven.
And there I’ve been sitting for about a week. Usually I don’t stop writing until a book is done, then and only then do I take time off.
Well, that’s not been the case this time around. This book has been challenging to write for a couple of reasons.
First, I am building a universe from scratch. But that’s not such a thing, I’ve done this before.
Second, my outline is insufficient. Yeah, it’s a guide, but I simply can’t follow it as usual.
Finally, I think I’m having trouble maintaining tension in the narrative toward the close of Book One. This is not a good place to be when you are supposed to be experiencing an acceleration both as the author and the reader. Instead, I feel dead in the water.
So therefore the “punching walls” theme of this week’s post. My writing at the moment feels nearly as painful and pointless.
I know it’s an illusion. I know it’s BS. But still.
Not so long ago a friend and mentor gave me the sound advice to simply skip over a point in the narrative that you think is holding you up on project completion. He’s probably right, and here pretty soon I may do just that.
But I look at the work as it stands and I think “I can win this. Don’t be a weenie.”
Boy, is it a good thing that I don’t have a real deadline for all of this, or I’d be in a pickle. Now, don’t get me wrong. There kind of is a deadline; I want to launch my Patreon page in November, and this book is the lead-off to the exclusive material that’ll be featured there.
But know this! It hasn’t come without a struggle. I want to produce stuff that doesn’t SUCK. Work that’s readable. Coherent.
Alright, I’ve mapped out the whole trilogy, and I’ve known from the get-go that Book One was going to give me the worst fight. I really hate to be right.
I know that I haven’t adequately explained. I kind of can’t, because the premise is close-hold.
The problem is one of antagonists. In the first book, the enemy is circumstance. In the second book, the enemy is nature of a sort. The third book? Human conflict. The second and third books, I have the antagonists nailed. But in the first book- well, using circumstance as the enemy per se is novel to me. Difficult, challenging. It works, I think, but it involves a bit of thought and care.
So that’s why I’m punching-walls frustrated. Because this has not been easy.
You know what, though?
Tough, I tell my inner wall-puncher. Tough. Deal with it, man-up and grow as an author.
Learn from adversity.
Produce something worthwhile.
That’s one of the few bullet-points of my original plan that has survived contact with the enemy per se.
Make fun, readable stuff.
Way easier said than done. I’ll leave that for you all to judge come November.
Another excerpt from the novel I’m working on for my Patreon fans-only website.
The Interview (Sometime in 2090)
“I am sorry for the inconvenience, Mr. Johnstone, but XXXX requires a physical interview for authorization.”
Joe’s neck and shoulder ached. He could feel his back stiffen as he sat in the flexor chair, every breath was a chore. He spoke.
“I understand, machine. You need me in this room for a good look over with the Mark One eyeball.”
The expensive intelligence cocked her head. She laughed.
“We haven’t heard that phrase in a while, Mr. Johnstone.”
“It’s been a while since I used it.”
The intelligence smiled. Joe noted that she was very well made, he could barely see through her and there was no trace of a flicker. Nice work, he thought.
She spoke. “Please do call me Angelique. I prefer that, as well as the pronoun “she.””
Joe closed his eyes for a second. He opened them. “Anything you like, Angelique.”
“I see here that you were born on the 5th of July, 1982. Is this correct?”
Joe rubbed his nose. If she were a real woman, he would have picked up on some sort of scent. Something. As it was, the room smelled of rubbing alcohol with a slight tang of ozone. He answered and felt slightly ridiculous to be speaking to what was really a projection and a wall.
“You know it is.”
“We do have to observe the formalities, Mr. Johnstone. Or do you prefer Joseph or Joe?”
“I prefer Joe.”
“May I call you that?”
“Sure. Why not.”
“Just so that I can confirm a few data points, may I ask you a series of questions?”
“That’s why I’m here, right?”
“I do need your permission, Joe.”
The machine blinked. Then she smiled.
“Oh, you mean “go ahead.””
“Alright. Shall we begin?”
“Yes.” Joe’s back hurt. He shifted. Angelique noticed.
“Shall I ask your granddaughter to bring in your analgesics? We’ll be here for a while.”
“It should be alright.” He didn’t fully trust the drugs, even though he had been medicated for many decades. The machine nodded.
“My first question. When were you married?”
“After I made E-5. 2007.”
“I have your wife’s name and statistics. I am sorry for your loss.”
Joe closed his eyes. No, you’re not, he thought. But why be rude? “Thank you.”
“What color were her eyes?”
Joe’s eyes snapped open. “What?”
“What color were her eyes?”
“Blue. How is this relevant?”
“Everything is relevant.”
Angelique nodded. “Just so you know, you are covered by our non-disclosure agreement. It went into effect the moment you crossed the threshold into this room. I have the same legal rights and privileges as your counselor at Veteran’s Affairs.”
Joe furrowed his face. “How much do you know about me?”
“Very little. Just official statistics and data. But if we agree to go through with this procedure, I will know everything.”
Angelique morphed into Doctor French, his counselor at the VA. She had retired decades ago. He cried out.
“Did I startle you?” Doctor French’s face twisted in just that wry way…
“Please change back, Angelique.”
The machine complied. She spoke.
“When did you first watch a launch of a XXXX ship?”
“Our predecessor agency was known as SpaceX.”
“Oh yeah, that’s right. Sometime in the tens.”
“What did you feel as you watched the ship ascend?”
Joe remembered seeing the red car in space. He answered.
“It was, I dunno, inspiring.”
“Had you written your first book by then?”
“Yeah. 2012. When I retired from the Army.”
“Why did you shoot that man in the back?”
Joe shot forward. His body screamed at him. He answered, his voice flat.
All of this, readers, will be available to you when I launch November timeframe. I’ll probably do like John Birmingham’s site with two tiers, two bucks and four bucks. Two for the basic serial, and four for the extra cool-guy stuff. Analysis, etc.
Who knows, maybe I launch a five bucks tier where your name gets put in the series. But I don’t know yet. It’s all still up in the air, except for the writing.
Right now I’m at Chapter 25 of the first novel, so I definitely hope to have the rough draft of the trilogy done by launch date- and you, my readers, can help me shape the final. Can interact, can read along.
It’s going to be fun, and I’m really looking forward to it!
This is an excerpt from another unpublished sci-fi trilogy; this is the one I’m looking to publish on my snazzy new Patreon page.
Give it a look and see what you think!
In what he suspected was his final interrupted nap, the storyteller dreamed. It wasn’t peaceful. The cloud in his room absorbed every detail for posterity; zeros and ones marched in long columns through his electric sleep. A medical intelligence choreographed his every thought and breath.
“Lay down some fucking lead, Johnstone.” Joe couldn’t see any kind of target. Nothing. There was a dusty village and some shitty olive green trees. Plink! The sound of bullets hitting his truck sounded like little rocks hitting tin cans. He wanted to shoot. He needed to shoot. But there was no target. Joe heard Sergeant Cox’s voice through the intercom. “Hey, asshole, shoot!” “I’ve got no PID!” “I don’t give a fuck. Suppressive fire!” The young soldier’s mouth was dry, his hands were numb. He pressed the button by the trigger well that read “S.” The plunger safety popped out on the other side, now it read “F.” He had to fire. But for fuck’s sake, at what? Plink. Joe put his right cheek on the comb of the stock, his index finger rested on the trigger guard. With his left hand he pushed the turret control joystick to the right, his mounted weapon rotated about ten degrees. His vision blurred as he tried to focus on some trees; the 240B was pointed at the sky. His hand shot to the T&E assembly; in a flash he adjusted his elevation knob downwards. The tree appeared over his sights. He squeezed the trigger, his weapon barely pulsed in its mount. Die motherfucker die, he thought, just as he had been trained. He released the trigger, hot brass and links danced around his desert boots. Sergeant Cox’s voice came through the intercom. “Fuckin’ get some! Another burst!” Joe complied; he killed the pistachio tree. His cherry popped.
Joe’s neck hurt. It was a constant keening discomfort, an itch that could not be scratched. His twenty-eight pound machine gun hung about his neck like an albatross, he wanted to collapse, even though his load was a couple of hundred rounds lighter. The fucking lieutenant was doing something, he didn’t know what. His eyes cast about, the rising sun banished the blue shadows. Red smoke drifted about, the harsh buzz of a Blackhawk grew louder. It almost drowned out the screaming man. He was about ten feet away from Joe, someone was guarding him. Joe pulled out an L&M cigarette and lit up. A fucking bad guy. Who gave a shit about him? The man writhed. The medics were busy with others. Joe pulled in a lungful of smoke. He wanted to sleep. The sky darkened. What the fuck, he thought, it rarely rained here this time of year. Someone was talking. He strained to hear. But the words didn’t make any sense.
“We’re so sorry, ma’am, but this is one of the hallmarks of his generation…” My generation, Joe thought, as the synapses in his natural-born mind fizzled. They had been born in peace, then they were sent off to war. Some, at least. But long not all went.
Of course the formatting is all messed up for some reason, but you get the general idea.
I’m pretty excited about this series, and I’m at the mid point right now in the first book. It’s taking me a little longer than usual, but I want to get this one just right…
The man pictured above, Private Merton R. Johnson, KIA Korea, 1952, was part of the diaspora caused by the 1862 Dakota War. He was one of the lost sons of the Mendota Mdewakanton Dakota, a remarkable community based since historical times in Mendota, Minnesota.
So I’ve gotten a lot of feedback about the post a few days ago; many of you seem to think I should write a book based upon the red thread that winds through this ancient town, M’dote.
Ancient, some of my European readers may say. Yes, truly ancient in any sense of the word. M’dote was used since time out of mind by the Sioux nation as a meeting area, where the seven council fires of the Lakota and Dakota peoples would meet.
It was an easy to find and agreeable location, the spot where the Minnesota and Mississippi Rivers ran together. In historical times the game was abundant, the fishing was good. It was an excellent spot to meet.
The trouble started in the late seventeen hundreds. Now, the Dakota could not be described as a peaceful people; they had a long warrior tradition. When the white man first came to M’dote, they were engaged in fighting with the Obijwe people. The Obijwe, or Chippewa, were trying to move west in response to whites moving onto their lands. It was understandable, but the Dakota weren’t cool with it.
In fact, the sub-tribe that lived in M’dote, the Mdewakanton, were known as the “keepers of the Eastern Gate,” so warfare with the Obijwe was inevitable.
The first whites to arrive were the French; they assimilated into the tribe and intermarried.
The Americans were different. They set up a fort in the early eighteen hundreds and sought to make peace between The Dakota and Obijwe. They were mostly successful, but they didn’t arrange the peace out of the goodness of their own hearts. No, they wanted the land.
As the years passed, there were a series of treaties signed, each was broken in turn.
The settlers from the east, first hundreds, then thousands, built homes and fences upon the land of the Dakota. The sacred bison was hunted out, along with the other large game. The natives were pressed into an ever-dwindling space, and eventually they ran out of food.
The promised annuities, payment for their lost lands, were withheld by unscrupulous US Government officials. The Dakota were out of options. No food, no money, and now no land.
They fought. Many were killed, innocent and guilty.
It was the United States’ version of Bosnia-Herzegovina, internecine brutal warfare that pitted brother against brother and whites versus the natives.
Placed against the vicious bloodbath of the US Civil War, casualties were relatively light compared to fights such as Antietam back east.
However, the trauma of the burning, the raids and reprisals, the executions and bounties, and finally the concentration camps, lasted nearly one hundred years.
The Dakota were crushed by the US Army. The Mendota Mdewakanton fought on both sides; as with any civil war feelings ran high and people were forced by circumstance to make fateful choices. Whether the decisions were right or wrong I will not say; having served in combat, I can imagine that many later regretted the choices they made during that terrible August of 1862.
The war ended. Those of Native blood were herded into camps, hundreds died of neglect, exposure and disease.
The execution of 38 Dakota fighters on a specially made gallows capped off the whole miserable exercise.
Most Dakota were expelled from Minnesota, except a couple of hundred who were allowed to stay. These few were perceived to have helped the whites, or they had stayed neutral.
They had to keep their heads down, though, and they couldn’t stray outside of their little community in Mendota or they were liable to be scalped.
Scalped. In other words, legally killed, and a chunk of their head with hair attached turned in for a bounty paid in gold. Gold paid by the government of Minnesota, officially.
No dignity was afforded the losers of the war; the hatred was extended to those who served with the whites. All were guilty by reason of blood. For decades, the poisonous apartheid, the treatment of the Mendota as second or third class citizens held.
Some returned from further West, after the final defeat of the Sioux at the bloody and shameful Wounded Knee. The locals intermarried with their old enemy, the Obijwe. Their customs and language were forbidden by law. Their children were shipped off to special schools for Natives; a saying went that “you had to kill the Indian to save the man.”
Many fled to other parts of the country. Places so far removed from Minnesota that they could start anew. They could hide their heritage, forget the past. These descendants grew up in a world where in a game of “Cowboys and Indians” the Indian was always assumed to be the bad guy; where it was better to lie about your heritage than to admit the truth.
But even these forgotten descendants of that fierce warrior folk, the Dakota, held to their tradition.
They did not shy from a fight. Where the United States fought- they waged war with distinction and valor.
But the diaspora never really forgot their Minnesota roots. Their warrior tradition.
The Mendota who stayed toughed out the bad decades, the prejudice, the official and unofficial racism. They stayed cohesive; they did their best to maintain the old ways.
In 1934, the US Government finally allowed the Natives to speak their own language and follow their own customs.
Nice of them, really.
As the years went on, the old hate died along with the generation that fought the Indian Wars. Finally, no one remembered. The skull of Little Crow, the war chief of the Dakota during the 1862 War, was finally returned to his family.
It had been displayed as a grisly public trophy for over one hundred years.
One hundred years.
In the nineteen nineties, the Mendota came together and decided to formalize their long tradition- they were a tribe, it was past time to reorganize and commemorate the old family and tribal bonds. The survivors in Mendota formed the Mendota Mdewakanton Dakota Tribal Community, and they opened membership to those who were descended from the tribe, wherever life might find them.
Fast forward to the present day. The Mendota look forward to holding the annual wacipi, or “pow-wow” after the dreadful 2020, and they continue to celebrate life and the turning of the great wheel.
I found this community by fate, I suppose, and I have uncovered their amazing story over the past several months.
These scrappy and courageous people want nothing other than to honor their ancestors and keep their traditions alive. I think that they are a worthy cause and put my money where my mouth is.
It would be an honor to write a book based upon their story.
But not yet. First I have a mountain of other stuff to do. Also, to write the story I have to visit distant Minnesota, I need to walk the banks of the Mississippi. I need to see where the battles were fought, I need to visit with the tribe. In short, the human touch is vital in this most human of stories.
I plan on visiting Mendota for my first ever wacipi this September.
The Mendota. A remarkable people; a fantastic and true story.
Alright, readers. Right now I have my fingers in about twenty different pies, although most of you can see none of that. There’s some stuff going on in my life that is deeply distracting. Not bad stuff, more like being hit with a fire hose of new information. Stuff you never knew.
Well, this is all pretty crazy. So I’ve finished the rough draft of an alternate history series, some 250,000 words. Now I’ve embarked on another trilogy meant exclusively for a Patreon page that I need to create. Pretty much to the midpoint of Book 1, if I wanted to I could launch my website tomorrow.
But I’m not going to do that. For a change I would like to exercise real tactical patience and go slow and smooth into my ventures, as opposed to plunging headlong into something, like usual.
What the hell is this guy talking about, perhaps you ask.
Alright, I have a bit of a dilemma. I really want to write about two different things. One of them is the aforementioned trilogy, straight-up sci-fi, for my future Patreon site. Another is something I’ve been made aware of these past few months.
It’s a true story. A very rough story.
The tale spans the period of the early days of the American Republic to present. It is violent. Parts are shameful. Most of it will make you shake your head with the sheer injustice of it all.
I’ll give you a hint. The story has similarities to two films, maybe more. If you liked “The Revenant” or “Hostiles,” maybe “Unforgiven,” then this story is for you.
It is fascinating, but I don’t know if I want to write it. For one thing, I’m a science fiction writer, not historical non-fiction. And there’s a problem- if I wrote this tale, it would have to be dead accurate. The past demands that I would have my facts entirely straight, that I would tell the story correctly. That I would be fair when I don’t want to be, that I would reveal some harsh and ugly truths.
This story is America, the good and the bad.
I’ll give it to you in a nutshell. I’m curious what you, my readers, think.
In 1799, a party of French fur trappers out of Canada moved south along a great river, the locals called it M’ni Sota, or cloudy waters. These days we call this area the confluence of the Mississippi and Minnesota Rivers. There was a long-standing camp there of the Dakota tribe, to be specific the Mdewakanton. The camp was called M’dote, a Dakota word that roughly means “an area where the rivers come together.”
The French, being French, ingratiated themselves to the Dakota, and while they were catching beavers for the voracious European markets, they took local wives. A man named Michel took a Dakota lady, the daughter of the Chief Wabasha, as his wife. They had a number of kids, one of whom was known as Francois. Francois became quite a trader in his own right, he roved the west looking for deals, and at one point he even went to Washington to help represent his relatives in making a treaty with the whites.
Speaking of whites, this territory, the ancient homeland of the Dakota people, started to fill with settlers. Washington wanted a deal with the Dakota, they had claimed this “new” land and they named it Minnesota. It was a form of the old Dakota word for the great and sacred river, whose legendary center was known to the whites as Pike Island. This area, with the old village of M’dote, now called Mendota, was supposedly reserved for the Dakota. In exchange for their land, the Dakota had been promised an annual annuity and a reservation.
Francois probably knew there was going to be trouble. He ran a trading shop in the Lower Sioux Agency, in what today is Morton, Minnesota. The situation went south in August of 1862, when a US Government official idiot suggested that the starving natives could “eat grass and dung” when he was informed of the critical situation involving the Dakota.
You see, the Federal Government was late paying the promised annuity, and the Natives were no longer allowed to rove outside their reservation for food. No money, no food. It was an entirely preventable situation that was directly caused by Washington.
Some young men, many of them relatives of Francois and his family, called for war to their chief, a man known as Little Crow. At first Little Crow told them they were crazy, but the pissed off young men called him a coward. Little Crow, although he had real reservations, couldn’t let that insult slide.
The Dakota attacked. The Dakota War of 1862, also known as the “Sioux Uprising” started. You can click on the link for plenty of detail, I’m not going to give you all a blow-by-blow.
Suffice to say the Francois was one of the first to fall; he was probably related to the man who killed him.
Francois, who had a number of children with his wife Judith, a Fox woman, had a son named George. George was pretty pissed off that his father was killed. He signed on with a militia outfit known as Renville’s Rangers. The Rangers, under the command of a mixed Mdewakanton named Gabriel Renville, played an important role in protecting civilians and native non-combatants during the vicious fighting that took place that terrible late summer.
Predictably, after some early successes, the Dakota were crushed by the Union Army forces arrayed against them.
In an atmosphere of poisonous racial hatred, hundreds of Dakota warriors were sentenced to death by hanging. This was the first time that Native combatants were tried as civilian criminals rather than enemy combatants, as had previously been the case. The trials were substandard, usually lasting no longer than five minutes per person. By bitter coincidence, they were held in Francois’s office, one of the few buildings that survived when the Lower Sioux Agency was torched.
Hundreds of people were killed, both the innocent and the guilty. President Lincoln himself, in the midst of the slaughter of the Civil War, took the time to review each “trial” of the “guilty,” and he personally nullified or commuted hundreds of sentences of the captured warriors.
But still, 38 men were sentenced to hang. On December 26th, 1862, the United States saw its greatest mass execution when the men were hung together on a custom made scaffold.
One poor fellow, possibly more, was hung by mistake. Later on, two of the leaders of the rebellion were captured in an illegal raid in Canada. They were drugged, smuggled across the border and hung in Fort Snelling in 1865.
Fort Snelling was located by the ancient Dakota town that was now known as Mendota. After the war, the remaining Natives were rounded up. Men, women, and children. Everyone of Native blood. They were herded onto sacred Pike Island, the Dakota center of the universe, and they were held in deplorable conditions.
George’s family was among those who were incarcerated. Hundreds died of disease and starvation.
The war, as all wars do, ended. The Government passed laws forbidding any Dakota, under penalty of death, from remaining in Minnesota. There was one exception; Dakota who had remained neutral in the war or who had helped the whites were allowed to stay in a very limited space in ancient M’dote, or Mendota. Other Dakota secretly returned as well; though this was a very bold move.
Ever heard the saying “he’s off the reservation?” It means someone doing something crazy.
I learned that in the 1860’s to the 1890’s that Natives could legally be killed and scalped if caught “off the reservation.”
For a handful of gold, some poor person’s life. The thought makes me want to vomit.
This. This was the poisonous aftermath of the 1862 War, that eventually led to the massacre at Wounded Knee; a shame and blot upon the US Army’s colors.
George and his family tried to keep their heads down in an apartheid-type existence, they were marked forever as “redskins” and undesirables. Oh, they did laugh and love, but they always knew that the larger society saw them as worthless. George and his wife Josephine had about ten kids, one of the last ones was named Odelia. She was born when he was nearly fifty, a real late-comer.
Of course, I wasn’t there, but I get the idea that Odelia, who preferred the name Matilda, was a bit of a handful. At some point she was sent to a special Indian school, where they taught her that her background was shameful. That everything she knew was tainted. That her beliefs, her family’s customs, were savage and uncivilized. That her Native blood was a curse, to be obfuscated and lied about, denied, by any means necessary.
She returned to Mendota from the school, and she had a brand new plan.
Matilda was tired of being spat upon, treated like shit over an accident of birth. She caught the eye of a fresh veteran of the War with Spain, a fellow named Merton. They married, and in the meanwhile the old warrior George, son of Francois, breathed his last in 1907.
When he died, Matilda decided she needed a change. When her new son was born, she decided that there was no way she wanted him on the Indian Census. You see, there used to be a separate census for the Natives, and they were called “IN” or “MB” (Mixed Blood) or worse, “Half-Breeds” on official government documents.
If these racist terms were used on dry government forms, then what did “Matilda” hear from day to day?
I can imagine, and it wasn’t good.
The young mixed-race couple ran like hell, and for the rest of her life Odelia was ashamed of her past.
It was a hell of a note for the child of fierce warriors and leaders.
“Matilda” ended up being the mother of warriors herself; Wabasha and George would have been proud.
Her children smashed teeth from the mouths of dead Japanese; they faced Banzai charges with numb hands and a smoking Garand. One son fought the Chinese; never to return. His family, the elderly Matilda included, was riven by grief. More faced “Victor Charles,” they watched as naval gunfire pounded the hostile hills. Other sons faced the Jihadis, the nameless enemy that crept at night. The placers of bombs, the killers of kids. The sons of Matilda followed the warpath, the tradition, to this present day.
And it all started with a fur trapper and his Native bride.
This brief missive just skims the tale, and every word is true.
It is but one facet of the tale of a remarkable people called the Mendota; a community that despite everything still survives.
I wonder if I should write this. I found the story by accident; it sucked me in like quicksand.
BLUF: A riveting, horrifying and fast-paced read with some easily overlooked flaws.
A friend provided me with an Amazon gift card, and at the same time he was kind enough to give me a recommendation for a new book. I have been considering this book for a little while; his enthusiasm pushed me over the edge and I bought a hardcover.
I’m glad I did. For one, it was nice reading a “real” book again. The tactile feel of paper, the smell of freshly printed pages, wonderful. This leads into the next nice thing about the book; it is a natural page turner. Actually, I burned through this book in a day. I didn’t have to force myself to read this. Finally, 2034 was a tense book with lots of action and a too-real sense of immediacy.
Any of you who have been following this page for a while know that I don’t have a lot of patience for ridiculous cost overruns in defense procurement and the stupid fetishization for technology rampant within some in military circles. This book jumps up and down upon exactly these points; our vulnerabilities to disruption along dozens of point failure sources.
There are those who say that we have it all figured out, that we will always stay ahead of our legion of adversaries.
This makes me laugh, bitterly.
Great empires and nations have always said this as the termites chew away at the foundations of their respective civilizations.
When the defense of the republic becomes divorced from the realities of most of its citizens, bad things happen. Also, when the republic buys goods that are defective at birth and expensive to boot, no one should be surprised when they fail, taking talented young lives with them.
Let us never forget that fighters and ships, etc, are expendable end-items. They are tools of war, meant to seek and deal out violent death. They should protect our military men and women as best as possible, they should be mass-produced and cost-effective, and they should be dead reliable and fail-safe on multiple levels.
This all leads into my book review.
The US military as portrayed in 2034 has fallen deeply down a technological well from which it cannot recover; it has been choked to death with legacy systems and fickle cutting-edge tech.
The Chinese military, aided and abetted by Russians and Iranians, proceed to kick the USN and the US Government squarely in the nuts.
OK, as an ex-Army guy I’d love to see the author’s take on what happens with my old branch, but I understand the focus on the Navy and Marine aviation. For one thing, the Navy is at the top of the list for an organization caught up in the technology siren song, as well as being the possessor of extremely expensive “white elephant” surface ships. This makes them prime candidates for disruption by hungry, rising opponents.
The authors deliver on this premise in excellent and horrifying ways.
A complaint: it would have been nice to see how the USAF, another organization loaded down with white elephants, would get pulled into the Pacific vortex, too. Because they would definitely be there.
However, these are quibbles, really. I have others, but I hesitate to add them to this review for fear of introducing unnecessary spoilers.
Suffice to say that I don’t think there was enough of an exploration of emerging warfare assets in space, or perhaps, given the author’s emphasis of this throughout the book, potential usage of the old Mark One Eyeball to foil the various plans of the Chinese and American antagonists.
If you read the book, you might see what I mean.
However, the chief role of fiction authors is to deliver entertainment through a vehicle, in this case a harrowing novel like 2034. Another role some authors have is to deliver a message.
The authors of this book have succeeded in doing both.
This book is an entertaining read, period. Also, the authors successfully point out that American supremacy, hegemony, is not a given; any empire, even if unnamed, requires not just heaps of money spent but money and blood spent wisely.
At present I am far from convinced that this is the case; after reading 2034 I can see that I am not alone in this view.
Will influential people read this book and draw conclusions from it? Impossible to tell.
There. I’ve said it. If what you put on the page strays too far off from what your readers expect, then you have a lot of work trying to explain yourself. If you explain too much, you’ll lose your crowd. Also, just as in life, your protagonist must make decisions.
Decisions are central to a narrative, just as they are essential in life.
Duh, you say. Of course.
No, it’s no duh. People have trouble making decisions, I know I do. Your character in your story needs to make decisions, even if they are seemingly minor, because decisions reveal character.
God knows I’ve made some bad decisions in my day. I’d like to say I’ve learned from them, and I’ve progressed as a person, but some days I wonder. Of course, I think I’ve made some pretty good decisions, too. See photo above. There’s a story there.
On that day me and my guys captured a mountain of ammo and bomb making supplies from the bad guys. It wasn’t easy, but the job got done. What decision did I make, you wonder.
One of the hats I wore was Counter Improvised Explosive Device team leader, or the C-IED guy. We captured a ton of explosives, so it was a bit of a question what we should do with the junk. An option was to dump it all in a field and have one of the circling Apaches drop a Hellfire on it.
It would have disposed of the ordnance.
In my opinion, it would have also toppled a few structures and shattered every pane of glass within half a mile. I didn’t doubt then, or now, that someone innocent would have gotten seriously injured.
My boss asked me for a decision.
I made one. With multiple pissed-off groans, we ended up humping the explosives out of there on our backs. There was limited vehicular access, but the infantry has doubled as mules since the dawn of time.
Ten years later, and I am still convinced it was the right choice.
As my boss back then told me, no decision is also a decision.
A person who has never done anything has it easy when it comes to criticism. I am reminded of this when I watch the feeding frenzies on Internet personalities. I ask myself what decisions have these people made, what risks have they taken?
Chances are, few. Good old fashioned jealousy and schadenfreude seem to be the chief motivation of some.
Now, I am not saying to go out and make bad decisions. And some feeding frenzies are richly deserved. But that’s not the point of this piece.
What I am saying is that when you’re crafting a story, even if it is one that no one will ever read, the action is propelled forward by choices, good and bad. Be conscious of this, identify the various catalysts in your narrative. Make your character someone who acts, not someone who is passive, who is acted upon.
No one wants to read that. Also, no one wants to be that, either.
Start making decisions, whether it is a fictional narrative, or your personal journey.
It’s the stuff of life, and it’s what people want to read.
All, so I have embarked on a new trilogy as discussed in the last post.
Something I promised a long time ago was that I would discuss my writer’s journey as it unfolds. Well, something I learned back during my first trilogy was that before you do squat you need to have a coherent outline. Pictured above is a real outline of a book that I have completed. Using just those skeletal prompts pictured, I write entire novels.
This approach may not work for you, but it works for me. I guess the broader point is that if you want to write a book, you need some form of plan.
It doesn’t have to be an outline. It doesn’t have to have any type of formal shape. It just needs to be.
A plan. Without one you are probably whistling Dixie.
OK, so here’s what I do. I learned this from a master, and from the professional reading he assigned me. It works very, very well, and I really don’t know what I did before I learned the THREE ACT STRUCTURE.
In a nut shell, here’s what it is.
Opening Image. The world before the story begins.
Theme stated. What is this story about
Set up. Hero at home, at work, at play.
Catalyst- set things into motion.
Debate- Hero doubts.
Act II (Twice the size of Act I or III)
Break into two. Hero must make a choice to step into II. Now or never.
Fun and games. Explore new worlds. Promise of the premise.
Midpoint. Stakes raised. False victory, defeat. Time clock. Pace accelerates.
Bad guys close in. Hero team issues or bad guy threats.
All is lost.
Dark night of the soul. “Whiff of death.”
Break into three. Hero steps up and goes all the way.
Finale. Final exam. Does hero learn lessons.
Gather team, load up.
Storm the castle.
Execute new plan.
Final image- the world after. Cocoon- butterflies.
At the top of my outline segments, I leave the “beats” that a given act must fulfill at the top as a reminder. It is not a slavish guide, and I frequently diverge from the outline if I sense that the flow or structure needs something. Seriously, though, my two sentence blurbs turn into about 2k-2.5k chapters. This is how I roll.
But before I set a single word onto the manuscript, I MAKE AN OUTLINE!
The outline is the skeleton. It forms a frame upon which you hang all the squishy bits. There is a reason that most higher life forms have a skeleton- those stony, hard bits protect the nerve bundles and jelly stuff that makes you, you.
Trust me, you need a skeleton.
Now, as I said, your skeleton can look vastly different from mine. What would work well (and I should experiment with this) would be a white board with sticky notes; but because I’m a boring, stuck in my ways type, I like a column of ideas arrayed in a linear fashion upon a Word doc.
As I said, whatever works for you. But please, learn from my experience and make the outline in whatever form. My first book had some mistakes I could have avoided if I would have simply followed this basic step.
So that’s what I’m up to right now- I’m doing something familiar (making an outline), but I’m doing it in such a way that is entirely new.
What do I mean.
I’m making an outline, all at once, for a new trilogy. About 120 planned chapters, and I have to make it all work within a given structure.
Curious how this works. Should be OK, but I don’t know.
Something I run up against all the time is I make a chapter outline, and then I think “Those two sentences sum this up. How can I expand this without putting my readers to sleep?”
Kinda having this now with this mega outline. I know where I want to go with the trilogy, what terrain I’d like to cover. But there are important questions.
Who are my enemies? My friends? How do the circumstances shape my characters, what drives them forward? How do they live, and how do they die?
Pictured above are some hardcopies of my first trilogy. The last book in the series, Immolation, was published in May, 2017.
That’s four long years ago.
Since then, I have been busy. I have written in shared universes, and I’ve created one of my own, an alternate history.
The shared universes are exactly that, they are shared. They do not belong to me.
Long time readers know my publisher went belly-up a couple of years ago. This may have been a left-handed gift because if they were still around, I probably would have released my alternate history in a knee-jerk fashion.
News flash: I would have lost money on it. Unfortunately, that seems to be the cold hard truth for 99.9% of indie authors.
You will lose money.
It’s so easy to look at the sheer volume of the competition out there and get discouraged. At times I want to throw up my hands and say the hell with it, that this is a fool’s game and a massive waste of time.
But then I read through some really positive stuff that some people have had to say about my work, and it makes a difference.
Years ago, after my first book, I had sold something like fifty copies. The thing was going nowhere. It embarrassed me, my thoughts were “hey, I did this. I said I would. Now it’s done and no one wants to read it. I’ll never do this again.”
I walked away.
But then a curious thing happened. First, I was contacted by a fan who said he really liked the book. He asked me when I was going to write the sequel; I told him I hadn’t really thought about it.
But then I did. Then I heard from an author I was in occasional contact with, John Birmingham. He told me the book was a good read. I was blown away to hear this.
So I sat down and I wrote the second book in what became a trilogy. By May of 2017, it was done.
Then I got involved in a bunch of projects, lost my publisher, and finished another trilogy.
By now, April of 2021, the dam is about to burst.
I want to release my alt history trilogy so bad it hurts.
So I come back to what has sustained me throughout the years, my readers and friends. I have a question to pose to you. A series, really.
Here are my dilemmas.
First, I don’t want to go thousands of USD into the hole again. But I also don’t want to publish an inferior product. So the pure indie route isn’t that attractive. Sorry, Amazon, but for most Indie authors you are a money sink, not a revenue generator.
Second, selling the trilogy is still a possibility, and it’s by far the most preferred one. I consider my current trilogy to be locked up in this process for the time being. However, one must always have a back-up plan.