The Democratization of Shortwave

When I was a kid, I knew a couple of ham radio enthusiasts. I’m unsure if every town had them, but I knew two. Both had learned their trade in the Army, WW2, and Vietnam, and both had these crazy dedicated radio lairs full of lighted dials, arcane machines, the smell of ozone, and monster antennas. I remember being fascinated by those shadowy spaces full of hulking metal boxes and buckets full of vacuum tubes and random, unidentifiable parts. The men were messianic enthusiasts; they’d listen to faraway voices, enraptured, and they had long lists of frequencies and times taped to the walls.

Both of them were super good guys with cool hobbies; I wish I had learned more from them. The WW2 guy tried to teach me Morse Code, but with my boyish gnat-like attention span, that didn’t work out. The Vietnam guy got me into it a bit more, but at that point in my life, I was short on cash, and ham radio and a good shortwave receiver cost me money I didn’t have. He took pity on me and gave me a beat-up Hallicrafter S-38 with some extra tubes and showed me how to rig a long-wire antenna with zero cost involved. He died shortly after of a heart attack, and I have the radio to this day. It still works, believe it or not.

I remember messing with the ham transceivers and listening to distant stations on that Hallicrafter early in the morning. For a while, I kept my own reception log with freqs, times, and stations. By the time I left for the service, it had grown (for me) impressively long. Radio Australia, Brazil, Moscow—there were many. It was super cool, listening to those distant voices in the lost years before the internet.

However, I moved on in life, and I forgot about those distant voices for quite a while. The Roxor project got me thinking about communication systems a couple of years back. I wanted to create a facsimile of the trucks we had overseas. An important aspect of those vehicles was communication. Without commo, you had a major problem. While cell phones are nice, they are unreliable when the chips are down. OK, I seriously doubt there will be some Mad Max crazyman situation, but I wanted my off-road machine to have commo. Period.

So, me being me, I began to investigate my options on Amazon, and I soon found that the ham and shortwave scene had changed A LOT since the 1980s! Wow. A hallmark of the hams I knew as a kid was that they spent a considerable amount of their paychecks on their arcane hobby, and the equipment took specialized knowledge to use. Also, it took up a LOT of space. This explains why both of them had dedicated radio sheds. While their spouses were cool about things, those ugly gray and green (a lot of ham and SW equipment was cobbled from Army surplus) boxes looked hideous in the living room.

I’d hate to think about their electricity bills, too. Wow, those old machines sucked power like a vacuum cleaner!

Imagine my shock when I discovered that you don’t need to spend more than SIXTY DOLLARS for a complete SW/ham equipment set, albeit basic. The equipment takes up a shoebox’s worth of space, with tons of room left over, by the way. I found my solution and had more than enough money left over to sample different systems. I thought I’d share this with you today if you are interested.

First, why would you care about old-fashioned shortwave when we live in the age of the internet? That’s an easy answer. The internet, as seen in numerous crises worldwide, has this bad thing about dropping off during difficult situations. It’s the same with cell phones. Nothing sucks worse than hanging out in a power outage or something, and you have <zero> info or comms. It happens. Ham radio and shortwave sidestep both of these problems. After all, we easily forget that our internet infrastructure is about thirty years old and surprisingly fragile. Radio, on the other hand, is far more robust. Reliable.

It’s possible that I’ll never regularly use radio or ham communications again, but it’s nice to know I have the capability if needed. And for sixty bucks, what excuse do any of us have? It’s a very small amount of money, less than two people’s dinner at a chain restaurant, to have crucial information during a problematic experience.

Without further ado, let me tell you what I have found to be the biggest bang for the buck items on Amazon. I’ll tell you the best stuff at the lowest price. You can spent (a lot) more, but you don’t need to for basic capabilities.

First, ham communications. To transmit, you should have a license. If nothing else, if you are unlicensed and you “step” on a licensed ham’s commo, they will get cranky. You may get a fine, too. At worst, if you interfere with the commo of aviation or first responders, you could pay a fine and cool your heels in jail. This is failure. Avoid it. However, nothing stops you from monitoring the ham freqs with a ham radio! You can stay up to date with local events, and in a dire emergency, you can hit “transmit” and worry about cranky ham operators or possible fines later. My two cents. It’s better to have a capability and not need it, than the opposite. ‘Nuff said. Lemme tell you about the best ham radio for the buck.

Hands down, it’s the plain-jane UV-5R, manufactured by Baofeng. You can see one in my lead image, it’s the little walkie-talkie on the upper right. These units sell in various packages on Amazon. You can buy a two-pack for as little as thirty dollars, with different antennas, chargers, extra batteries, etc. You can buy just one for about fifteen or less. These things are small! They fit in the palm of your hand, and the batteries last for about a week on one charge. On the page I linked, you’ll see all sorts of radios with confusing terms like GMRS or ham. Get the ham radios. GMRS is intended for short-range commo. Ham transmissions are much more powerful. Also, Baofeng products are based on the venerable UV-5R platform, so the old UV-5R, if you learn to use it, is a starting point for everything in the Baofeng family.

The UV-5R is criticized for not being as user-friendly as possible, having small buttons and displays, and not being as powerful as its more expensive peers. These are valid concerns, but IMO, they are also irrelevant. People are usually scared away from ham radio and shortwave by UNIT COST. You don’t have much money invested here if you try it out. Also, YouTube is full of tutorials on how to use the UV-5R. It’s actually not bad. The people complaining have never suffered through Army classes or tried to get something to work using that same fine institution’s manuals. They’ve also never been cursed with using military radios in a work setting.

Compared to a SINCGARS, MBITR, or Harris, the UV-5R is simplicity itself, with tons of flexibility and options. I think it’s really great. If you try out the old UV-5R and want something more capable, Baofeng has many economical options to suit. Also, being familiar with the layout and function of the 5R, you can easily transition to their other products. The UV-5R, with the right antenna set-up and topography, can get reach out a surprising distance for such a little guy. If you input UV-5R in the Amazon search bar, you can really find some deals.

Now, let’s talk about budget shortwave receivers. The UV-5R will give you local commo, and FM reception. With SW, you are listening to the world! My go-to brand that I discovered on Amazon is XHDATA. For the money, they are amazing. For as little as ten dollars, you get a radio that listens to the world. I have my prefs, of course. I’ll tell you about them.

First, let’s go low-dollar. This would be the D-220, a hand-held radio that works fairly well on AA batteries. It listens to FM, AM, and SW. See below.

There is a cheaper model, the D-219, but I’m not a fan. I guess you could try it, lots of people like it. The D-220 is the least expensive but still capable model that they have. I would prefer it if it had a power source other than AA batteries, but it doesn’t. I’d suggest you pick up something else to go with your new SW radio. There is a cool little compact long-wire antenna that clips to the regular antenna and can hang from just about anything. This is the XHDATA AN-80, which costs just a few dollars but greatly increases your listening range. See below.

This is the AN-80 hanging from my curtain. It has a neat clip on the retractable spool end, and the other has a clip that securely fastens to your radio’s antenna. Pretty cool, inexpensive, and compact. Below is the antenna clip, fastened to the D-220’s antenna.

It doesn’t get easier.

The next radio type, which is my favorite, is just a few dollars more than the D-220. It is the D-328. Here’s what I like. First, it is less than twenty dollars. Second, the controls are super easy to use. Third, it has a handy collapsible stand that lets you incline the radio to ease its use. Finally, you can power it using a USB plug that charges an internal lithium-ion battery. This is great—you can either charge it using your vehicle or household power. Also, it’s a nice receiver. Just messing around I picked up a lot. It is also very compact and plays with an MP3 player, if that’s important to you. See below.

Finally, the most capable XHDATA radio for the low-dollar price range is the D-109. It breaks the bank at about thirty dollars, however. Oh, the humanity. In exchange for your riches, you get a digital scan, which is awesome, and the option of saving channels and a whole bunch of other stuff. This floors me. In the eighties, you’d have paid thousands for this, and the package would have been MUCH bigger, with a vastly higher energy draw! This one powers like the D-328, and its lithium battery lasts very long. It lasts so long that I’m not sure how many months it would take to go dead. A while. See below.

This is the D-109, pictured with the handy AN-80 clip-on antenna. I should have placed a pen by these for scale, but this is also a palm-sized unit that’s very easy to use. This is a great unit!

To conclude, I think I’ve shown that you don’t have to spend much to get good commo in problematic situations. A quick cost estimate, if I may. The AN-80 antenna, which can be used for just about any radio, costs 8.30 today. A great two-radio UV-5R package is 31.99. This includes chargers, antennas, everything you need. YouTube instructions are free. The midrange XHDATA SW radio, the D-328, costs about fifteen bucks when you apply the coupon. I guess you could splurge and get the deluxe D-109, which costs a princely 33 bucks after the manufacturer’s coupon.

As I promised at the beginning of this article, the total cost is between 55 and 73 USD, or about sixty bucks on average. For your sixty-odd dollars, you get two ham radios, a handy long-range antenna, and a good SW radio.

You can spend much more at Texas Roadhouse without trying.

It’s worth trying out.

Jeff’s Fiddle

This weekend, I attended my tribe’s powwow in Mendota, Minnesota. I discussed this at length on my paywall site. If you’re not signed in over there, maybe you want to check it out. The barrier to entry is low. But I digress.

During the activities, our tribal secretary suggested that I check out one of our vendors, a tribal member named Jeff Bardon. I did so. He runs a business called River Valley Trading Company, and he sells unique Native-related art and products. I bought some cool stuff from him, and during the course of arranging shipping, we talked a little. Somehow we got on the subject of violins, and he mentioned that he had a frustrating experience with his, a standard Amazon Cecilio MV-300 model.

Long-time readers know that I am very familiar with this exact model. In my older posts, you can find my review of those violins. The MV-300 forms the basis for the economy fiddles I sell at flea markets. The bodies are solid products, but their fitting is terrible. Bad bodies can’t be fixed, but fitting can.

I always have a few MV-300s sitting around here awaiting prep for sale. We made an agreement. He’d send me his to trade for one that I prepped. When his arrives, I’ll prep it for sale. Meanwhile, I whipped one of mine together, finished it yesterday, and shipped it. I thought I would tell my violin-interested readers about this process, it turned out pretty good.

First, I gave him the pick of the litter: a body with decent wood character on the belly. It is by no means super fancy, but for an economy fiddle it’s nice! See below.

It was stripped, of course. I usually don’t reuse factory furniture; I save that stuff for donations or super-inexpensive repairs. Here’s what the start of the process looked like.

Ok, so this isn’t the very beginning. In this pic, I’ve already installed the new pegs and end pin. But minus those parts, this is how I start. The violin clamp simplifies all the maintenance you need to do on a fiddle. It holds it steady and level as you work on it.

The pegs determined the look I wanted for this violin. I happened to receive a shipment of mahogany pegs while I was in Minnesota, so I thought I’d try them out on his violin. They were good pegs, and certainly an upgrade over factory. I’ll show you the work on the box below.

The factory nut was an abortion, as usual, so I shaped it and cut new grooves for proper spacing and string depth. I also penciled the grooves for lubrication. I shaved, fitted, trimmed, and drilled the pegs as well. These should last for years of normal use. Once the boxwork was done, I headed south, as usual.

I selected a good bridge and carved it. After I carved it, I fitted it to the plate. This is one of the most important steps of this process! A poorly fitted, low-quality bridge will adversely affect the instrument’s sound. Mind, a bridge DOES NOT have to be name-brand, but if you buy megapacks of generic bridges (I do for economy builds), you must carefully select the good ones. In this case, I thought I’d be fancy and give Jeff a nice Teller bridge.

Of course, while creating the bridge, I looked at the location of his sound post. To my surprise, the factory did OK, so I left the sound post alone. With the bridge completed, the next logical step was stringing the fiddle. It was time to make two decisions, one aesthetic and one practical.

I installed mahogany pegs, so I was inclined to use earth-tone furniture instead of traditional black. Of course, the fingerboard was painted black, but without getting into the weeds there wasn’t much I could do about that. The fingerboard was 100% serviceable, but I could help the violin in other ways. At first glance, I thought to use an economy brown furniture set I’ve used on other projects, but the more I looked at this fiddle, the more I realized that that wasn’t the best choice. I rummaged through my parts drawer, and I had the good luck to find a nice red boxwood set that complemented the pegs. I held it up to the fiddle, and I liked it.

Then, I needed to decide which strings to use. Jeff is a budding fiddler, so high-end strings wouldn’t be a good choice. I immediately thought of Red Labels, my go-to strings for students. Also, these Cecilios like Tonicas, too. However, I had another idea for this violin. Low-cost, old-school strings called Black Diamonds have a bit of a cult following with the bluegrass crowd, and I just happened to have a set lying around. I decided to use those.

Decisions made, it was time to string the instrument. See below.

This was turning out pretty good, I thought. After winding the strings, I started to tension them per SOP, slowly but surely, while watching the bridge. As expected, the Black Diamonds were “hard” without much stretch. It was time to play Jeff’s fiddle. First a few detail pics, though.

The end pin detail, with the tailpiece and chinrest I picked. I also added some fine adjusters, good Wittners, because this is a fiddle, not a concert violin. Of course, I prepped the adjusters with a tad of bearing grease, and prepped Jeff’s bows, too.

This is the box, wound and ready.

I think the red theme really suits this violin. While this is, and will remain, a student violin, it’s important that the player likes how it looks. I ran the new look across Jeff via text, and he seemed pleased. This was good enough for me. It was time to play, the moment of truth. How did it sound?

While hardly high end in terms of resonance and tone, it was journeyman good. Perfect, I think, for a student! The Black Diamonds, while inexpensive, helped with that old-time sound, and they BEAT THE CRAP out of factory strings! ALWAYS pitch those in the trash, I’m not sure why they include them, honestly. They’re terrible!

While I enjoyed working on it, it was time to re-home Jeff’s fiddle. With a final check to make sure I included everything he needs to play, I cased it and prepared it to ship. Here was my final view of Jeff’s fiddle.

I boxed it and went to the post office.

Hopefully, this will get Jeff on the road to becoming a fiddler. It’s a solid learning platform. The MV-300, once properly tweaked, is a great place to start.

Launch Day

Hey, everyone.

Today is a long-awaited event for my partner, the esteemed JB, and me. It is the day Javan War, our Cruel Stars origin novel for Lucinda Hardy, went “wide.” This is a first for me, I’m usually Kindle exclusive for some very good reasons, being a small-scale author.

However, John doesn’t have those encumbrances, so this launch is simultaneously wide or available across most platforms. Pretty cool, really.

As you may know, we’ve been working on this since 2017. Things happened, and there were delays. C’est la vie, but now it’s here. JB’s concept of a non-linear structure turned out great, but much was left on the cutting floor.

However, fear not. My paywall peeps get the cutting-floor stuff, as the book was originally written. I wanted to delay the release of this material until after the launch—well, it’s been launched!

Sooooo…more follows, soon. Plus, more ISOLATED stuff.

You can find this herehere, or anywhere—really. Even the Apple ecosystem. Just look on your iBooks app. This is the power of the Gold Hovercraft, which I was privileged to ride briefly.

Cheers,

J

The Javan War and its backstory

Hey all. I know I’ve been a little quiet here lately, and for good reason. I originally posted this on my paywall account, but decided to set it free here, as well.

When you open a text post in Patreon, it will prompt you. Today, the prompt said, “Tell a story.”

Well. I have a story for you; it involves the imminent release of “The Javan War,” a co-authored novella that has been simmering for a long time.

The story goes back to 2017. I had just finished my original trilogy, the Valley series. I wrote the first book before I was in contact with JB. That thing was a hangover from my final tour, and the idea to write it wasn’t mine. It was my counselor in the Combat Stress Recovery ward. She said I should write a book because I had a long list of craziness to work through.

Write a book? The thought hadn’t ever occurred to me, and WTF did I have to offer? How was I supposed to write a novel? What would it be about? I didn’t have a clue, but I thought about what she said.

In 2013, I had nothing but time. I was on active duty, and my assignment was a “healing mission.” It said so on my OERs, or my Officer Evaluation Reports. Yes, even when undergoing the Army Medical Board, you are still required to file those. The Army, the Board, and the Bureau of Motor Vehicles said I shouldn’t be driving due to loss of conscious episodes, so I couldn’t drive. It was the purest hell. I felt like I was fifteen again; on the cusp of adult mobility, but not quite there.

I spent a lot of time in the hospital. There were endless appointments and evaluations I was required to attend. When the Army said, “You are permanently disabled, your career is over,” it was like a lightning bolt to the nuts. What was I going to do?

I had no idea.

So, I decided to follow the good Doctor’s advice, and I dreamed up a novel.

I didn’t want to write a biography or some dumb shit. Self-promotion sucks, and who wants to read about a long career that was mostly boring? Nobody. However, I have read a lot of sci-fi and other fiction.

While deployed, books were a source of comfort and entertainment. Some books I had read many times, and on every re-read, I found new things to enjoy. Authors I read? Wow. The list is long.

Heinlein. Asimov. Haldeman. Stirling. Scalzi. Birmingham. Turtledove. Conrad.

Of course, there are many more, but these were prominent names in my collection.

What to do?

I wanted action like JB. I wanted a narrative sweep like Asimov. I wanted bitterness like Haldeman.

Given a sci-fi setting, I wanted to write about things I knew, but I didn’t want to write about me. I crafted a character, Private Paul Thompson, who left home young and returned home broke and old. He is a star-traveling soldier who saw a chunk of the universe and wished he hadn’t.

I began to type without a clear plan. The words became blurry, and before I knew it, I had a manuscript.

Meanwhile, the cottage industry of indie publishing was born, and Amazon catered to that crowd.

This made it possible to bust out my book, totally ignorant of the publishing world and its pitfalls, to a “wide” audience.

I paid a lot of money to a self-publishing venue, CreateSpace, which held my hand through the process—for a nominal fee, of course—but the deed was done.

In June 2014, the year and month I grudgingly retired, In the Valley launched into the void.

And readers, it was a void. I sold seventy books in the first two years after Valley launched. Later, I learned that this is typical of most self-published books. Friends and family, and maybe an odd rando or two.

I got my license back and put my stupid book on ignore.

I’m not sure what I did during that period. 2014-2016 is a dead space in my life. I’m pretty sure I worked at a retail job stocking shelves, which was a humbling experience. I had an episode at work, which was noticed by coworkers. Deeply embarrassed, I quit the next day.

A normal life, I could see, was not in store for me.

What to do? No idea. I drank a lot back then and tried to pick up the pieces as a father and husband, with mixed success.

Then, one day, randomly, I received an email from some guy in Wisconsin. He asked me when I would write the next book. Also, I was in tentative touch with JB, who was so kind to respond when I shot him an email- “Hey, I like your books.”

Trust me, most authors don’t bother. This touched me.

I decided to write a follow-on novel to Valley, The Captain’s Cauldron and committed to completing a trilogy.

For fun, I pinged JB and let him know work was underway on Book Two.

To my vast surprise, he answered with, “Wait, what? You wrote a book?”

Yes, I said, and I gave him the deets.

Meanwhile, I busted into one of my writing fugues and completed the MS for Cauldron in a month. I shot it to CreateSpace and published the bastard.

John got back to me about Valley—he read it and liked it! Whoa! Then, he hawked it on Burger! This was a holy shit moment for me, seriously. I think in ’16 was the first time we had a video chat. This was mind-blowing for me. I spoke to an incredible author whose work I carried in combat—I remember reading “Final Impact” during Operation Andarab, a seriously shitty trip.

Our relationship evolved, and by 2017, while I wrote Immolation, the final book in my original trilogy, we were in regular contact. He became a mentor and a friend, and he recommended some professional reading. One of the books I latched onto was his entertaining tome, How To Be A Writer, which was great! For my budding authors here in the in-group, I highly recommend this.

By fall of 2017, I’d done a few bits of nip-and-tuck for him. Little shorts, some advisory work. This led to his proposal in the fall of 2017- would I like to do a co-authored thing with him called The Javan War, an origin story for Lucinda Hardy, the chief protagonist in the Cruel Stars series?  

Uh, yeah, I said.

With a premise, I pitched in and wrote a bit.

Then, things happened beyond our mutual control. Diseases. Issues. Delays.

Eventually, I kind of forgot about JW. But the files were there, nestled into the cloud. Meanwhile, John had other projects, and so did I. CreateSpace went out of business, and I wasn’t sure how to publish anymore.

It turned out to be a left-handed gift, and through a series of conversations with John, I learned how to publish on my own at about 1/10th the cost of using an outfit like CreateSpace, with better results, frankly. The funny thing is that CreateSpace was the lowest-cost all-in-one publishing package out there! If you want to be ill, research this yourself. I could name names, but I won’t. You can easily drop 10k on your very own novel; I guarantee you that 99.9 percent of the books created like that will never see a neutral ROI, let alone a profit, no matter how slim.

I did consider the Houses for my new novel, The King’s Ohio Rifles, but they expressed zero interest. To be fair, I didn’t try particularly hard. I had heard too many stories of authors’ nuts being put into a sling by that crowd, so I was satisfied with my 70 percent royalty cut from Amazon.

Oddly enough, The Ohio Rifles series was finished before I published my next book, The Storyteller’s Heaven, in 2022, when I broke a six-year publishing gap.

The crack in the wall led to a flood. I established my Patreon paywall site, and began to publish books fairly rapidly. Due to a backlog of material, this was easy.

By the time I made my belated trip to Australia, I had eight long-form novels out there. When I left for the trip, Light’s End was on the cusp of publication, but I didn’t want to launch it from Oz in case there were complications I couldn’t deal with while overseas. During the working trip, I put the last details on LE and obtained a cover.

While there, John surprised me by expressing an interest in capping off the Javan War; of course, I was game! I spent a week typing away on it when he told me his vision for the ending. I shot him the files, and the vacation neared its end.

Before I passed through the door, however, a cabal of creatives met. We hatched the plan for ISOLATED, I had a concept when it was time to take the bird.

I got back to the States and launched LE. Then, I started cranking on ISOLATED, which has gone slower than I’d like, but it is what it is.

Meanwhile, John did his thing with Javan and decided to take the non-linear route for structural reasons, which also slowed him down.

But now, the moment is almost upon us, and I thought to share the story of The Javan War, a long-awaited mutual venture.

Two things will happen on Patreon.

First, all of my paywall peeps get a free copy via BookFunnel.

Second, after the launch of the final version, I’ll start dropping chapters from the original copy. Much of the book ended up on the cutting floor; for structural reasons this was inevitable.

However, if you are familiar with The Cruel Stars, you’ll note that some of the cutting floor stuff ended up in canon. Also, you’ll see all of it, anyway, and you may agree with John that some material distracted from the throughline of our novella.

More soon on Patreon, and notice of publication here on Interstellar. Behind my paywall, there will be a free copy of The Javan War, ISOLATED1, and serial drops of the first draft of JAVAN WAR.

Cheers,

J